In this third Neapolitan novel, Elena and Lila, the two girls whom readers first met in My Brilliant Friend, have become women. Lila married at sixteen and has a young son; she has left her abusive husband and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which have opened the doors to a world of learned interlocutors and richly furnished salons. Both women have pushed against the walls of a prison that would have seen them living a life of misery, ignorance, and submission. They are afloat on the great sea of opportunities that opened up during the nineteen-seventies. Yet they are still very much bound to each other by a strong, unbreakable bond. Those Who Leave and Those Who Stay (The Neapolitan Novels, #3) by Elena Ferrante – eBook Details the Entrepreneurial Model has less to do with what’s done in a business and more to do with how it’s done. The commodity isn’t what’s important—the way it’s delivered is.”

Those Who Leave and Those Who Stay - Goodreads

A computational process, in a correctly working computer, executes programs precisely and accurately. Thus, like the sorcerer's apprentice, novice programmers must learn to understand and to anticipate the consequences of their conjuring. Even small errors (usually called bugs or glitches) in programs can have complex and unanticipated consequences.”Set in the late 1960s and the 1970s, Those Who Leave and Those Who Stay continues the story of the feisty and rebellious Lila and her lifelong friend, the brilliant and bookish Elena. Lila, after separating from her husband, is living with her young son in a new neighbourhood of Naples and working at a local factory. Elena has left Naples, earned a degree from an elite college, and published a novel, all of which has opened the doors to a world of learned and fascinating interlocutors. The era, with its dramatic changes in sexual politics and social costumes, with its seemingly limitless number of new possibilities, is rendered with breathtaking vigour. This third Neapolitan Novel is not only a moving story of friendship but also a searing portrait of a rapidly changing world. The Independent’s list of alternative Man Booker Longlist titles: THOSE WHO LEAVE AND THOSE WHO STAY

Those who leave and those who stay: the consequences of Those who leave and those who stay: the consequences of

My Brilliant Friend (Sky Atlantic) is the most beautiful drama on television, and, considering how consistently excellent it has been, it remains sorely underrated. This third season adapts the third of Elena Ferrante’s Neapolitan novels, Those Who Leave and Those Who Stay, and, for those who luxuriated in its first two seasons, it remains as gorgeous and seductive as ever. I feel like the knight in an ancient romance as, wrapped in his shining armor, after performing a thousand astonishing feats throughout the world, he meets a ragged, starving herdsman, who, never leaving his pasture, subdues and controls horrible beasts with his bare hands, and with prodigious courage.” Men, dazed by pleasure, absent-mindedly sow their seed. Overcome by their orgasm, they fertilize us. They show up inside us and withdraw, leaving, concealed in our flesh, their ghost, like a lost object.” It is both a curious and strangely effective choice to continue with the actors who played Lila and Lenù as teenagers, even as they age into a more adult world and different lives. Gaia Girace (Lila) and Margherita Mazzucco (Lenù), who have been remarkable so far, are 18 and 19, and they look it. While they are dressed up to appear just a little older, with makeup and wigs, their obvious youth gives the effect of young women adrift in the world, and sometimes they look like children playing at adulthood. It shouldn’t work as well as it does, but it does – adding to the notion that they are searching for something, even if they don’t quite know what it is yet. We are about to study the idea of a computational process. Computational processes are abstract beings that inhabit computers. As they evolve, processes manipulate other abstract things called data. The evolution of a process is directed by a pattern of rules called a program. People create programs to direct processes. In effect, we conjure the spirits of the computer with our spells.Ferrante’s dedication to the working class is deeply satisfying. No matter how much delight you take in Elena’s cultural and intellectual strides, those figures from her childhood always take the spotlight."