Out of Reach (Australian CD single liner notes). Gabrielle. Go! Beat. 2001. 5873632. {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link)

ARIA Charts – Accreditations – 2001 Singles" (PDF). Australian Recording Industry Association . Retrieved 24 May 2018. Boyle, Simon (17 October 2015). "Bridget Jones's Dialect conundrum as Renee Zellweger FORGETS how to do character's accent". Mirror. London, England . Retrieved 15 November 2015. Renee's plummy English accent became one of Bridget's best known characteristics in the films...

Loewenstein, Lael (28 March 2001). "Review: 'Bridget Jones's Diary' ". Variety . Retrieved 29 December 2013. Bridget Jones's Diary Movie Review (2001)". Roger Ebert. 13 April 2001. Archived from the original on 28 April 2005 . Retrieved 1 August 2011.

New Release Date List for August] (in Japanese). Universal Music Japan. Archived from the original on 4 January 2002 . Retrieved 27 August 2023. Out of Reach (UK cassette single sleeve). Gabrielle. Go! Beat. 2001. GOBMC39, 587 683-4. {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link) Bridget and Daniel begin to flirt heavily at work, ahead of an important book launch, at which Bridget bumps into Mark and his glamorous and haughty colleague Natasha. Bridget leaves with Daniel and they have dinner, despite Daniel's notorious reputation as a womaniser. Daniel tells Bridget that he and Mark were formerly friends but as Mark slept with his fiancée, they now hate each other. Bridget and Daniel start dating. Weekly charts [ edit ] Weekly chart performance for Bridget Jones's Diary: Music from the Motion Picture Chart (2001–2002)

Reviews

When Bridget finally settles for her man, the stoic human rights lawyer Mark “wanker” Darcy (Colin Firth, on his second Darcy in a decade) – and it’s worth noting that she does settle for him, rather than him for her – it’s the rom part of the com, the swoonworthy-ness, I suppose, that brings it all together. She hated him, and then she loved him, reindeer jumper and all, and in return, he loves her, no matter how many public appearances she flubs, no matter how blue she makes her soup. ARIA Charts – Accreditations – 2001 Albums" (PDF). Australian Recording Industry Association . Retrieved 28 November 2018. Year in Review – European Top 100 Albums 2001" (PDF). Music & Media. Vol.19, no.52. 22 December 2001. p.15. OCLC 29800226– via World Radio History. Zellweger's casting in late May 2000 concluded a two-year search. Producer Eric Fellner explained that she "brings enormous character and conviction to the part". [13] Maguire said of Zellweger, "I saw in Renee a gift few people have, that she was able to straddle comedy and emotion." [8] Zellweger worked on her accent with Barbara Berkery, who had helped Gwyneth Paltrow for Shakespeare in Love. [8] She also gained 20 pounds (9kg) for the part. [14] To prepare for the role, Zellweger worked at the producers' request at London book publishers Picador as a trainee in the publicity department. [7] Before the film was released, a considerable amount of controversy surrounded the casting of the American Zellweger as what some saw as a quintessentially British heroine. [15] [16] However, her performance, including her south-eastern English accent, is widely considered to be of a high standard. [17] [18] [19]

At the Darcys' ruby wedding anniversary party the same day, Bridget confesses her feelings for Mark, only to learn that he and Natasha have accepted jobs in New York and are on the verge of an engagement, according to Mark's father. Bridget interrupts the toast with an emotionally moving speech that peters out as she realises the hopelessness of her position. Although her words affect Mark, he still flies to New York. Bridget's friends rally to repair her broken heart with a surprise trip to Paris, but as they are about to leave, Mark appears at Bridget's flat. Bridget attends a friend's long-standing dinner party, where she is the only unaccompanied person. Once again she crosses paths with Mark and Natasha. He privately confesses to Bridget that, despite her faults, he likes her "just as you are". Sometime later, he allows Bridget an exclusive TV interview in a landmark legal case which boosts her career and allows her to see him differently. In brief: Rachel Weisz too beautiful for Bridget Jones". The Guardian. 16 March 2001 . Retrieved 29 December 2013. Out of Reach (UK CD2 liner notes). Gabrielle. Go! Beat. 2001. GOLCD39, 07314 587 684-2 (5). {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link)Guld- och Platinacertifikat − År 2001" (PDF) (in Swedish). IFPI Sweden. Archived from the original (PDF) on 17 May 2011 . Retrieved 1 May 2019.

Out of Reach (European CD single liner notes). Gabrielle. Go! Beat. 2001. 587 004-2. {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link) Richard Curtis, Andrew Davies, and Helen Fielding were nominated for the BAFTA Award for Best Adapted Screenplay. Eurochart Hot 100 Singles" (PDF). Music & Media. Vol.18, no.20. 12 May 2001. p.15 . Retrieved 10 February 2020. The success of the film spawned a Bridget Jones franchise with two equally successful sequels being released, Bridget Jones: The Edge of Reason (2004) and Bridget Jones's Baby (2016). Lista de Álbumes Más Vendidos en el Año 2001" (PDF) (in Spanish). Fundación SGAE. p.251 . Retrieved 15 April 2021.

Statistics

Chart of the Year 2001". TOP20.dk. Archived from the original on 23 July 2015 . Retrieved 22 December 2017.