The production sound reminds me of "Dehumanizer" more than the other two Dio-fronted Sabbath LPs ("Heaven And Hell", "Mob Rules"). Several of the songs are slow and creepy but there's also uptempo pounders like "Breaking Into Heaven" and “Eating The Cannibals”. While the presence of Dio always completely ferments anything he sings on this album feels like all three are equally present at all times. Iommi is as always a brilliant creator of riffs and Geezer Butler's menacing bass sets the tone. especially on for the crunchy “Double The Pain”. It's one of the best basslines I've heard since Queen's "Under Pressure" Tony Iommi 'Putting Riff Ideas Together' For Heaven and Hell Album". Blabbermouth.net. 28 January 2008. Archived from the original on 23 April 2008 . Retrieved 5 June 2008. In a recent interview with Revolver magazine, Ronnie James Dio described the material on the HEAVEN AND HELL album as "a real cross-section of everything we've done, from 'Heaven and Hell' through 'Mob Rules' and 'Dehumanizer'. I think there's a lot of 'Dehumanizer' in it, but a lot of other things, too, a real good blend of what this band has represented." On the cover art are the numbers 25 & 41. This is a reference to the Bible passage Matthew 25:41, which says “Then he will say to those on his left, ‘Depart from me, you who are cursed, into the eternal fire prepared for the devil and his angels.” Honestly, it’s something of a letdown. It is a perfectly good album, but it was a victim of its own hype. The interest in the album had risen to a fever pitch and very few albums could have adequately lived up to that hype. That is not to suggest that it was a bad album, very far from it. It just was not as good as everyone hoped it would be.

The music is mostly played in minor keys, obviously to take advantage of the natural tendency to sound more imposing. The band does do a decent job of staying away from standard verse-chorus-verse structure. This makes the individual songs stand out more and keeps the album from running together. Unfortunately, many of the songs do tend to stay at one speed. Some tempo changes would serve to make the songs stand out even more. The artwork was based off an image called “Satan”, by an artist from Norway named Per Oyvind Haagensen. Link here. As for Ronnie, his lyrics are fine. It sounds more in the vein of Dehumanizer, with more 'occult' style lyrics and staying away from rainbows and things of that nature. I like the story-through-song approach we have going on, where a song is like a whole concept. Reminds me a lot of Dio's solo effort Magica and maybe even Strange Highways. “Atom & Evil” and “Breaking Into Heaven” seem to have the best lyrics, from what I understand of the songs so far, and they make a good opener and closer. Bergman, Keith. "The Devil You Know – Heaven & Hell". Blabbermouth.net. Archived from the original on 1 February 2013 . Retrieved 26 April 2012. The Devil You Know reached the top 10 in its first week of release, debuted at No. 8 on the Billboard 200 chart, with 30,000 copies sold. [5] It was awarded Best Album at the 2010 Metal Hammer Golden Gods Awards. [6] Conception [ edit ]

The album's US import was released in Japan on 24 April 2009, four days earlier than its original due date of 28 April. The Japan domestic pressing which is a SHM-CD (Super High Material CD) was released on 27 April. It was produced by the band and sound engineer Mike Exeter. [4]

Also, for those of you fortunate enough to get the Best Buy Exclusive version with the bonus DVD, I hope you enjoy it. I did not get a copy with it, but usually such bonus content is rare with Sabbath-releases. There's usually not a lot of extra frills on their stuff. So I'll take what you can get. As I mentioned I had just reviewed and listened to "13" so when I popped this in I was immediately reminded (already knew) what a difference there is between Ozzy Osbourne and Dio. Even on the slow, sludgy opener "Atom And Evil" Dio's voice makes the song alive, especially compared to the crushingly dull performance of Ozzy on "13. That album would have been 10x better with Dio at the mic. Atom and Evil is a smart word play, a song that warns us from the danger that might come from the discovery of the atom power, as it can be easily misused and be our demise. It's implying that the discovery of this power was like the serpent giving Adam and Eve the forbidden fruit.The songs are generally big, staid tanks of lead, built on Vinny Appice's plodding 4/4 pound and loaded with a stately majesty that recalls this lineup's classics — the atmosphere of "Heaven and Hell" (the song) and "Children of the Sea", brought into the modern day and made just a little darker and more weighty. Some are decrying the sheer metric tonnage of doom on "The Devil You Know", but I submit that HEAVEN & HELL are at their brooding best on this more ponderous, epic material. The more uptempo "Double the Pain", for instance, is one of the few less-than-stellar cuts on the record, seeming like a castoff from Iommi's late-Eighties riff tapes (though even here, the band's effortless conviction comes pretty damn close to selling it). I like how the album has a song about fear itself, describing it as a mark that was left on us all despite humanity taking control of fire and light with no more need of fearing the dark.