However, there is an incipient level of detail, a relatively wide and deep soundstage, as well as fun, effective and harmonious aspects, which make for long, even pleasurable, listening.

The Blon Z300 soundstage is average (or slightly above average) and is mostly given by the bass, which being well pronounced gives a sense of envelopment. That feeling carries over to the sibilance, completely at bay, though with some grace, not to say sparkle. The bassline in "Seven Nation Army" by White Stripes are reproduced beautifully, with enough energy and details of each twang of the distorted guitar.

Yes, there is still a trace of it being overly boosted but I don’t find it to affect me negatively like it does on so many other sets. As with many HBB collaborations we have the HBB signature, that while slightly varying from product to product still showcases his ideas of (correct) sound. The brilliance treble on this one was rather mediocre as it has a modest amount of air that has less sparkle and impeded harmonics.

Underneath are the brand's contact details, while a headquarters in Dongguan (China) and another in Leipzig (Germany) are highlighted.

To keep the energy balance between the upper and lower treble smooth and consistent, the Z300's lower treble sounds sufficiently energetic. Although this pairing provided a fun and exciting response, I still prefer V6 pairing to the Hipdac. It has a two-dimensional, typical basic two-channel stereo panning presentation where you will be able to locate the arrangement of instruments and singers but not in a well-pinpoint manner. When compared to other IEMs, the midrange sounds forward and musical in the mix, and the transient flow of energy feels constant and intact.