Wigzell, Faith. 1990. Dream and Fantasy in Goncharov’s Oblomov. In From Pushkin to ‘Palisandriia’: Essays on the Russian Novel in Honor of Richard Freeborn, ed. Arnold McMillin, 96–111. New York: Palgrave Macmillan. Scherr, Barry P. (2011). "Review of Oblomov". The Slavic and East European Journal. 55 (3): 469–471. ISSN 0037-6752. JSTOR 23349222. a b c d Seeley, Frank Friedeberg (1 January 1976). "Oblomov". The Slavonic and East European Review. 54 (3): 335–354. JSTOR 4207297.

Oblomov (1964 play) - Silver Sirens Oblomov (1964 play) - Silver Sirens

HARJAN, GEORGE (1 January 1976). "Dobroliubov's "What is Oblomovism?": An Interpretation". Canadian Slavonic Papers. 18 (3): 284–292. doi: 10.1080/00085006.1976.11091456. JSTOR 40866920. Poggioli, Renato. 1957. On Goncharov and His Oblomov. In The Phoenix and the Spider: A Book of Essays about Some Russian Writers and their Views of the Self, 33–48. Cambridge, MA: Harvard University Press. Each day he became friendlier and friendlier with his landlady. The idea of love never occurred to him, at least not the kind of love he had recently endured like smallpox, measles, or a fever. He shuddered at its memory. Musí se ale přestěhovat do bytu, který si už pronajal; smlouva se nedá zrušit a na jiný byt nemá peníze. Musí se proto přestat častěji stýkat s Olgou. Ta odjíždí do Paříže, kde naváže vztah se Štolcem. Později se vezmou. U domácí, krásné vdovy Agafie, příbuzné Taranťjeva, ale najde druhou Oblomovku. Znovu může žít v klidu a líně. Postupem času se do Agafie zamiluje, nakonec si ji vezme. Svého syna, kterého s ní má, pojmenuje po Štolcovi Andrej. Když ho ale Štolc navštíví, zděsí se, jak opět upadl do apatie. Když Oblomov po čase zemře, Štolc Andreje adoptuje, aby nedopadl stejně jako Oblomov. Despite this, the Queen invited Spike to her private birthday party at Kensington Palace after the show.

About the contributors

I think Paul Scofield had begun his great season of Lear, but when we arrived in London in the mid-1960s, the first play we saw was Son of Oblomov, purely because Spike Milligan was in it. Gontšarov kirjoitti monipuolisesti romaaneja, novelleja, esseitä ja matkakertomuksia. Hän kirjoitti kolme romaania: Tavallinen juttu ( ven. Обыкновенная история, Obyknovennaja istorija 1847), Oblomov ( ven. Обломов 1859) ja Obryv ( ven. Обрыв, Äkkijyrkänne 1869), joita hän myöhemmin itse piti trilogiana. Romaanien lisäksi hän kirjoitti muun muassa matkakuvauksen Fregat Pallada ( ven. Фрегаты Паллада, Fregatti Pallas 1855-1857), joka kertoo tekijän kolme vuotta kestäneestä Kaukoitään ja Japaniin suuntautuneesta matkasta. [1] The novel was popular when it came out, and some of its characters and devices have imprinted on Russian culture and language.

Oblomov – Wikipedie Oblomov – Wikipedie

In 1834, Goncharov graduated from the University and returned home to enter the chancellery of Simbirsk governor A. M. Zagryazhsky. A year later, he moved to Saint Petersburg and started working as a translator at the Finance Ministry's Foreign commerce department. Here, in the Russian capital, he became friends with the Maykov family and tutored both Apollon Maykov and Valerian Maykov in the Latin language and in Russian literature. [6] He became a member of the elitist literary circle based in the Maykovs' house and attended by writers like Ivan Turgenev, Fyodor Dostoyevsky and Dmitry Grigorovich. The Maykovs' almanac Snowdrop featured many of Goncharov's poems, but he soon stopped dabbling in poetry altogether. Some of those early verses were later incorporated into the novel A Common Story as Aduev's writings, a sure sign that the author had stopped taking them seriously. [6] [7] Literary career [ edit ] Portrait of Goncharov by Kirill Gorbunov, 1847 Her heart was thumping with fear and when she spoke her lines to Spike, who lay in bed, he replied "Who are you?" Ehre, Milton. Oblomov and His Creator: The Life and Art of Ivan Goncharov. Princeton, N.J.: Princeton University Press, 1973. He taught me how to have fun and made me realise you don't have to accept what is handed out to you in life.

Reviews

Russian writer Ivan Goncharov’s novel Oblomov (1859) centers on Ilya Ilyich Oblomov, a young and generous nobleman filled with indecision, leaving him unable to take any significant actions. For large portions of the novel, he doesn’t even leave his room or bed. He is portrayed as the ultimate version of the “superfluous man”—a capable and talented figure who is rejected for not fitting social norms. This archetype is common in nineteenth-century Russian literature. Oblomov, a satire on Russian nobility at a time when such portrayals were becoming more acceptable, explores themes of the transition from childhood to adulthood, as well as the ongoing social changes in Russia as the country became more and more dissatisfied with its monarchy. Popular when it was released, it was the subject of much literary discussion, including among those who worried that its lead character would encourage sloth among the young. It was adapted into a 1980 Soviet film, which received significant critical acclaim, and was later adapted into a BBC television adaptation and a radio dramatization. In 1964, it was adapted for the stage as Son of Oblomov, a comedy adaptation. Liukkonen, Petri. "Ivan Goncharov". Books and Writers. Finland: Kuusankoski Public Library. Archived from the original on 7 December 2014.