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Cannes Film Festival: Palme d'Or du court métrage/ Golden Palm; Best Short Film, Albert Lamorisse, 1956. [16]

A boy with a bright red balloon is featured in the epilogue of Damien Chazelle's 2016 musical film La La Land. [21] As the film was filmed in Paris after World War II, its mise-en-scène is quite dark and grey and therefore gives a depressing quality to the setting and mood. In contrast, the balloon's bright color acts as a symbol of hope and light within the film. [2] The cluster balloon ride in the closing scene could also be said to represent a religious or spiritual analogy. For example, when the balloon is destroyed, its "spirit" lives on as it is transferred to all the other balloons in the city, which some believe to be a metaphor for Christ. [3] Themes of self-realisation and loneliness are also present in the film. [4] The film was first released on VHS by Embassy Home Entertainment in 1984. A laserdisc of it was later released by The Criterion Collection in 1986, and was produced by Criterion, Janus Films, and Voyager Press. Included in it was Lamorisse's award-winning short White Mane (1953). A DVD version became available in 2008, and a Blu-ray version was released in the United Kingdom on January 18, 2010; it has now been confirmed as region-free. [24] [25] Book [ edit ]

The theme of innocence is persistent and is one of the main focuses of the film. Through a child's gaze, a cynical world is transformed into an almost magical one, highlighting the power of the innocence and imagination of children. [5] Schreuders, Piet (8 February 2012). "Het Parijs van Le Ballon Rouge". Furore . Retrieved 9 May 2020. Harris, Aisha (13 December 2016). "La La Land's Many References to Classic Movies: A Guide". Slate. ISSN 1091-2339 . Retrieved 22 September 2018. The music video for "Son of Sam" by Elliott Smith, from his 2000 album Figure 8, is a direct homage to the film.

Tessonneau, Rémy; Ferguson, Charles (1957). "The French Institute Of Cinema (IDHEC)". Journal of the University Film Producers Association. 10 (1): 4–6. JSTOR 20686478. a b Kennicott, Philip (23 November 2007). " 'Red Balloon' and 'White Mane': Childhood Colored by Adult Cynicism". The Washington Post . Retrieved 9 May 2020. Lamorisse was a former auditor at the Institut des hautes études cinématographiques (IDHEC), and the crew that he used for the making of the film was entirely composed of IDHEC graduates. [8]The main role is played by Lamorisse's son, Pascal. French singer Renaud and his brother play the twin brothers who appear at the end of the film, wearing red coats. They got the role through their uncle, Edmond Séchan, the director of photography for the film. [9] Release [ edit ] The film has been featured in many festivals over the years, including the Wisconsin International Children's Film Festival; the Los Angeles Outfest Gay and Lesbian Film Festival; the Wisconsin Film Festival; and others. [ citation needed] Gibson, Brian (5 February 2007). "What childhood films are these?". archive.is. Archived from the original on 5 February 2013 . Retrieved 9 May 2020. Crowther, Bosley (12 March 1957). "Screen: Documentary and Fantasy; 'Lost Continent,' 'Red Balloon' on Bill". The New York Times . Retrieved 9 May 2020.

When the film was re-released in the United States in late 2006 by Janus Films, Entertainment Weekly magazine film critic Owen Gleiberman praised its direction and simple story line that reminded him of his youth, and wrote: "More than any other children's film, The Red Balloon turns me into a kid again whenever I see it...[to] see The Red Balloon is to laugh, and cry, at the impossible joy of being a child again." [12]

In 1960, Lamorisse released a second film, Stowaway in the Sky, which also starred Pascal and was a spiritual successor to the film. The film is popular in elementary classrooms throughout the United States and Canada. A four-minute clip is on the rotating list of programming on Classic Arts Showcase. [ citation needed] Reception [ edit ]

The film ends as all the other balloons in Paris come to Pascal's aid and take him on a cluster balloon ride over the city. THE RED BALLOON (U)". British Board of Film Classification. 15 October 1956 . Retrieved 25 March 2016. The film premiered and opened nationwide in France on 19 October 1956; it was released in the United Kingdom on 23 December 1956 (as the supporting film to the 1956 Royal Performance Film The Battle of the River Plate, which ensured it a wide distribution) and in the United States on 11 March 1957.

Bob Godfrey's and Zlatko Grgic's animated film, Dream Doll (1979), has a very similar plot and ending to the film, except instead of a red balloon, the protagonist is obsessed with an inflatable nude woman. Koresky, Michael (28 April 2008). "The Red Balloon". The Criterion Collection . Retrieved 9 May 2020. Breen, Myles P. (1978). "The Rhetoric of the Short Film". Journal of the University Film Association. 30 (3): 3–13. JSTOR 20687433. Hathaway, Alisa (28 February 2011). "The Red Balloon (1956)". Notes on Short Film . Retrieved 22 September 2018.