Breaking in, they explore the abandoned restaurant and find that the animatronic mascot characters - Freddy Fazbear, Bonnie, and Chica, which were built by Charlie's father - have been left behind. William Afton is described as a tall and hefty man with round eyes that are dull and flat. When he committed the serial killings, he was considered fat.

Following the ceremony to honor Michael, John tells Charlie that he remembers seeing a person in a yellow Freddy Fazbear costume on the day of Michael's death, suspecting that this stranger was the murderer. That night, Charlie and her friends return to the restaurant, further accompanied by friends Marla, Lamar, and Marla's younger half-brother Jason. While playing an impulsive game of hide-and-seek with John, Charlie encounters one of the animatronics, Foxy the Pirate, who she was terrified of as a child. Recalling suppressed details of her childhood, Charlie remembers that Henry used to own another restaurant in New Harmony, named Fredbear's Family Diner, featuring two animatronics: yellow versions of Freddy and Bonnie. Raugust, Karen (June 22, 2016). "Scholastic Signs on for 'Five Nights at Freddy's' ". Publishers Weekly . Retrieved September 29, 2017. Afton was able to get an advantage by stabbing Larson and transferring his infection to him, but Larson persevered. Afton was impaled by a forklift driven by the detective, crashing through the walls of the factory and towards the lake nearby. Afton overpowers Larson's force, crushing the forklift to pieces, but not before the broken mask of The Marionette, as well as several of its limbs went within Afton's new form. The artwork in Fnaf The Silver Eyes graphic novel is bright and colorful while retaining the darkness of the story. This is a hard balance to walk, but one that is very much needed in the Five Nights at Freddy’s storyline. The juxtaposition of fun children’s themes and murder/hauntings is part of what makes Five Nights at Freddy’s so great. While Jessica, Carlton, and Marla were able to rescue most of the kidnapped children, one boy was captured by Funtime Foxy/Mangle and brought to William. Running out of time and low on options, William injected a glowing liquid from the endoskeleton into Carlton, who stayed behind to save the boy and put an end to Afton. Unaware that the injection didn't kill Carlton and instead enabled him to talk to the souls of Afton's victims, which are revealed to be still inside of the amalgamated endoskeletons, a disappointed William turned to the cornered kid. He gleefully tells the boy that even if this next experiment is another failure, at least "it will be fun; like old times".

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Unnamed Boy - Lured away by William in the Spring Bonnie suit. The graphic novel version of The Fourth Closet potrays the boy as being named Gabriel. Like Fazbear Frights 1: Into the Pit, the graphic novel was released on December 26, 2019, as well as early renders were available. To speed up the process, William captures the original animatronics and fuses their endoskeletons together, rendering them unable to move and ready to be used for experimentation, involving melting down the endoskeletons to see if they would bring life to the Funtimes. One of these experiments involved heating up and injecting a glowing liquid from the endoskeletons into his new Funtime animatronics, which animated them and gave him full control over them. Another involved Elizabeth surgically removing organs from his body and smashing them into the endoskeletons, hoping for some kind of change. He sometimes appears as a compassionate man, but like many serial killers, this is just a mere façade that he uses to manipulate others, especially children. In The Silver Eyes, after he realized that the spirits of the children he murdered are trapped in the cursed place, for a time, Afton believed this to be good, in that they can have an eternal party that never ends, while he was trapping his victims' souls in metal prisons of restless torture. He momentarily refers to his victims as his "family". He is fascinated with the animatronics to the point where he disguises himself as one of them until he becomes that in his Springtrap form, although this wasn't intentional on his part. Five Nights at Freddy's: The Silver Eyes is a horror mystery novel written by Scott Cawthon and Kira Breed-Wrisley, based on the Five Nights at Freddy's horror video game series created and developed by Cawthon. The novel follows teenager Charlotte "Charlie" Emily and her childhood friends who return to their hometown of Hurricane, Utah, to commemorate a friend who was murdered at the local Freddy Fazbear's Pizza restaurant ten years ago. While investigating the now-abandoned pizzeria, the group find themselves pursued by the killer William Afton, who was never caught, as well as the restaurant's haunted animatronic characters.

The protagonist of The Silver Eyes and The Twisted Ones, she was killed by William at Fredbear's Family Diner, while she and her twin brother were hiding in one of the closets playing with costumes. At some point, after her childhood home collapsed, she was transported along with the scrap of her collapsed house to a junkyard. A night before The Fourth Closet takes place, her Aunt Jen pulls her out of the scrap and puts her in a chest. Baby impersonates Charlie so she can find her through Charlie's friends and her Aunt Jen so she can give Charlie to her father William Afton. In The Silver Eyes, we get to see Freddy’s from the perspective of the children who went there. There are only a few times in the series where we get the perspective of the actual customers. I love the fact that The Silver Eyes shows us how important the pizzerias were to the main characters. This evokes a sense of nostalgia, just like the pizza places of our youth. She reunites with her childhood friends Jessica, John, Carlton, Marla, Lamar, and Marla's little brother Jason. They decide to revisit the place where Michael died: Freddy Fazbear's Pizza, a family restaurant Charlie's father once owned. Now an incomplete shopping mall has been built in the restaurant's place, but upon further investigation, the friends discover the restaurant is still standing and that the mall had been built around it.Despite popular belief, William is not insane, as he makes mention of the fact that what he is doing is wrong, yet goes through it anyway, likely suggesting that he does not care about morality and simply does it for his gain. However, it is previously learned in The Silver Eyes that he had an unhealthy obsession with Henry, so obsessed to the point where he wrote countless diaries about him ranging from jealousy to near worship, proving that he wasn't very mentally sound to begin with. He also appears to have no regrets, as in The Fourth Closet, he says that killing the missing children led to great things. In the books, William’s family is much smaller and isn't as expanded upon, as his only child was his daughter, Elizabeth Afton, whereas in the games, William had two additional children alongside Elizabeth, that being his sons Michael Afton and presumably the Crying Child. Baby then drives her hand into Charlie's torso, tearing the Ella ragdoll out her causing her to lose consciousness. After Charlie regained it, the two break into a fight. Charlie defeats Elizabeth by activating her father's suicide contraption. The blade impales them both, as well as the Ella doll that Charlie is holding against her chest. Charlie slides the doll over to Elizabeth before they both die. I don’t know what age this book is for, but I think it is appropriate when the kid is ready for the following content/themes:

They discover the still-functioning control panel which makes the robots move, and Charlie finds a fourth robot - Foxy the Pirate Fox - which cuts her arm with his hook. The next morning, haunted by recent events, Charlie tells John that before moving to Hurricane her father owned another restaurant called Fredbear's Family Diner, which featured two performing robots, yellow versions of Freddy Fazbear and Bonnie the Bunny named Fredbear and Spring Bonnie. Although it was released to resounding success, Five Nights at Freddy's: The Silver Eyes drew criticism from fans, as they did not see connections between the novel and the video game franchise. [14] Therefore, as fans had claims of the book's lore conflicting with that of the games' lore, Cawthon replied that: In the graphic novel, William's design takes many elements from his main series counterpart in the games specifically his appearance from the SAVETHEM minigame including. In The Fourth Closet, once he escapes from the Spring Bonnie suit, William begins to regain his sanity, which in turn makes him feel that he doesn’t need to be inconspicuous due to his state of condition. He is miserable, commanding, and impatient, yet he remains to be theatrical, even when he is in pain. Because his organic, human body is full of mechanical parts, William seemingly has a pain tolerance, as he continues to commit scientific experiments, seeking to replicate immortality in the form of a substance called remnant.Sixteen-year-old Kiku, who is Japanese and white, only knows bits and pieces of her family history. While on a trip with her mother to San Francisco from their Seattle home, they search for her grandmother’s childhood home. While waiting for her mother, who goes inside to explore the mall now standing there, a mysterious fog envelops Kiku and displaces her to a theater in the past where a girl is playing the violin. The gifted musician is Ernestina Teranishi, who Kiku later confirms is her late grandmother. To Kiku’s dismay, the fog continues to transport her, eventually dropping her down next door to Ernestina’s family in a World War II Japanese American internment camp. The clean illustrations in soothing browns and blues convey the characters’ intense emotions. Hughes takes inspiration from her own family’s story, deftly balancing complicated national history with explorations of cultural dislocation and biracial identity. As Kiku processes her experiences, Hughes draws parallels to President Donald Trump’s Muslim ban and the incarceration of migrant children. The emotional connection between Kiku and her grandmother is underdeveloped; despite their being neighbors, Ernestina appears briefly and feels elusive to both Kiku and readers up to the very end. Despite some loose ends, readers will gain insights to the Japanese American incarceration and feel called to activism.